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THE Q&A CRAWL: FEAR & RECORDS
Fear & Records isn't just two words and an ampersand which don’t quite scan, the little beggars. Peter White's labour of love is also home to some of the most exciting records and artists you might be likely to meet (or, indeed, listen to). Peter manages Masks, Johnny Foreigner and…
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THE Q&A CRAWL: SEXBEAT
If you continue to labour under the misapprehension that DIY referred to B&Q, Sexbeat exist to prise you away from your Wickes catalogue. Ragamuffin merchants of 7”s, cassettes, fanzines and a panoply of other exciting things, Sexbeat also promote live music from the likes of Andrew WK, Trash Talk, Cerebral…
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THE Q&A CRAWL: CHRIS COLTRANE, LOLITICS
Chris Coltrane is a man on a mission. Aiming to radicalise you into the Tory-hating provocateur you were born to be, his LOLITICS comedy club rubs the shining faces of its unsuspecting audience in the mirthful muck of Coalition Britain. If you thought David Cameron’s face couldn’t get any funnier,…
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THE Q&A CRAWL: SIMON SELMON, LONDON SWING DANCE COMPANY
If we’re honest with ourselves, we all know that the height of Western civilisation came with the invention of the lindy hop. Like messengers from a time when men were men and shoes wore spats come the London Swing Dance Company. If your life is missing flappers and fedoras –…
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THE Q&A CRAWL: RUSS TANNEN, THE OLD BLUE LAST
Allow us to let others do the talking for us: “East London’s most notorious venue” (NME); “The cradle of British music’s future” (The Guardian); “A mecca for Shoreditch’s twentysomething trendies … See the next big thing here before they break” (Time Out); “The Old Blue Last has the awesome power…
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